As the country with the greatest number of Italians outside Italy, Brazil is home to many outstanding descendants, including from the field of arts
Did you know that Italian immigrants in Brazil are mostly from the regions of Veneto and Tuscany? And there are a huge number—the city of São Paulo, for example, is home to the largest Brazilian Italian neighbourhood outside Italy, something immediately perceptible when strolling through places like Mooca, Bixiga and Brás. Even outside these postcodes, the number of establishments with clear Italian influence is remarkable. In addition, Brazil as a whole, is home to the largest concentration of Italian descendants outside of Italy.
Because of this, many public figures in Brazil, whether political, artistic, scientific or other, have Italian roots. Some include actress Fernanda Montenegro, singer and composer Adoniran Barbosa, physicist César Lattes, businessman Francesco Matarazzo, actor Rodrigo Santoro and many others, in addition to the São Paulo soccer team, Palmeiras.

But the influences of immigration are also clear in other areas: the Italian-Brazilian Afonso Segreto was the first cinematographer in Brazil and captured the first recorded moving images of Guanabara Bay on June 19, 1898, when aboard the French ship Brésil. Hence the celebration of the Brazilian Cinema Day is June 19th. Paschoal Segreto, Afonso’s brother, was responsible for opening one of the first outdoor cinemas in 1899, in Rio de Janeiro.

Part of the second phase of modernism involves Italian-Brazilian Alfredo Volpi, known mainly for his paintings that depict flags and facades. Before, in the 1920s, he painted impressionist landscapes. It was in the 1950s that he began to gain more recognition, both in Brazil and overseas, by adopting a more abstract style. Interestingly, rather than buying paints, he made his own.

Victor Brecheret was a modernist sculptor who came to Brazil at the age of ten. He studied drawing and sculpting in Brazil and then spent five years in Italy studying sculpture. When he returned in 1921, on the eve of the Modern Art Week, he maintained contact with many influential artists in the country. It was Victor who, at the request of the Government of São Paulo, created the Monument to the Bandeiras, which stands in front of the city’s Ibirapuera Park.

These are just some of the many artists that represent the Italian-Brazilian culture! Each of them, in their own way, are responsible for showing the best of both worlds. And, of course, we look forward to welcoming many more in the future.


